university of washington film school ranking

It can be confusing to get your head around university of washington film school ranking sometimes, especially not knowing about them at first. Getting the right information about it may not be as straightforward as you think. Here you can find information about university of washington mfa film, university of washington film production, university of washington fine arts, and university of washington graphic design. Related articles on Collegelearners supply additional information on best film school in washington state.

What Are Film Schools?

Film schools are a great way to learn about the craft of filmmaking.

They offer many different courses for all levels and types of students looking to get into the film industry.

Some teach how to shoot film from a cinematography perspective, some teach editing, sound design, producing, screenwriting, etc. The list goes on.

The best thing about film school is the connections that a student can make there. You work closely with talented future professionals who will make great connections as you grow your career.

Many great filmmakers have succeeded without going to film school.

And many top video production companies have been setup by those who are self-taught and don’t have any formal training.

There are, however, many reasons for wanting to go to film school.

Some people enjoy and thrive in a structured learning environment, some people like being told exactly what to do and how to do something, and still, others go to film school for the benefits you get networking and making contacts.

Why choose Cinema and Media at UW?

• UW ranked No. 8 in global ranking; No. 2 among US public institutions.
• Fantastic faculty with books across disciplines and fields.
• Outstanding placement record for our doctorates. Meet an alum here.
• Teaching assistantships and fellowships support your progress through the PhD and MA  programs.
• The Walter Chapin Simpson Center for the Humanities offers fellowships, research opportunities, and a diverse program of events, lectures, and symposia in the Humanities.
• UW Libraries offer an extensive collection of non-English literature, hard to find film, and television, and special librarians for Comparative Literature and for Cinema and Media.
• The MediArcade offers vintage 16mm film, digital video editing equipment, a music archive, and video game consoles.
• A chance to work across disciplines within the Humanities and outside of it with DXARTS and the Performance Studies programs.
• Local cultural institutions such as the Seattle Art Museum, Wing Luke Museum, Northwest Film Forum, and the Museum of Pop Culture.
• The Seattle International Film Festival!

The Hollywood Reporter hands out the annual grades to the colleges and universities — from USC to NYU — that are molding the entertainment industry’s next generation of geniuses.

In the years The Hollywood Reporter has been ranking film schools — this is the eighth list, determined by extensive interviewing and research — the magazine has never received a straight answer to one very straightforward question: What is the purpose of film school?

Pretty much every institution on this list sees it differently. For some, like No. 6 Wesleyan (up from No. 9 last year), where cinema scholar Jeanine Basinger is getting her own building on the campus next year, it’s all about history, subtext and auteur theory. For others, the focus is hands-on experience, providing students with access to everything from old-fashioned 16mm cameras to state-of-the-art 3D VR labs to the jumbo-size greenscreens at University of Texas (down one place to No. 12 this year). Still, there is one purpose that academics at just about every type of school — from tiny rural colleges to lofty big-city conservatories — agree on. “We can be the sandbox that everybody experiments in,” says Susan Ruskin, new dean of No. 4, AFI (down from No. 3 last year). “We can say [to the studios], ‘Come play with us, because this is the generation that is going to be creating content.'”

1. 1 25 USCThe recent college admissions scandal wasn’t a great look for USC, but at least the film school escaped relatively unscathed, with nobody’s parents getting arrested for bribing or cheating their way in. In fact, dean Elizabeth Daley had a terrific year — terrific enough to land the 90-year-old institution at No. 1 for the seventh year in a row — as she reeled in yet another fat donation ($20 million from a trust in honor of late Columbia Pictures TV president John H. Mitchell, on top of that $10 million check George Lucas wrote in 2017) and launched a slew of new programs (like a podcasting seminar taught by The Producer’s Guide‘s Todd Garner). Universal chief Donna Langley joined the school’s board this year, West Wing producer John Wells (class of ’82) brought his popular Writers Guild showrunning class to USC and a slew of graduates ended up at the Oscars, including class of 2011’s Ryan Coogler for Black Panther and class of 2016’s Rayka Zehtabchi, who won for best documentary short. “I mean, she just got out!” says Daley. “But there were USC alums from every generation at last year’s Academy Awards.” Daley also instituted a new mandatory class in diversity, but progress in that area already can be seen on USC’s Exposition Park campus. Producer Melissa Rosenberg (Marvel’s Jessica Jones) says that when she graduated from the producing program in 1990, she was one of only four women in a class of 25. The incoming producing-class ratio is 17 females to seven males. Still, Rosenberg returns to school two or three times a year to give female students encouragement. “I like to let them know that, yes, it is possible.”TUITION $57,256 (undergrad); $35,214 to $51,622 (graduate)ALUMNI Robert Zemeckis, Doug Liman, Tim Story, John Singleton, Shonda Rhimes
2. 2 25 NYUThis fall, NYU is going Hollywood, opening its first permanent L.A. campus — a hub of classrooms and dorms near the La Brea Tar Pits — which should heat up its long-simmering rivalry with USC. But part of the allure of this renowned 54-year-old auteur factory has always been its hipster home base — Greenwich Village — which tends to attract more indie-minded artists. “Of course, NYU might not have the [facilities of] USC, because we don’t make those big-budget Zemeckis films,” Spike Lee (class of ’82) snarkily told The Hollywood Reporter during a roundtable before winning his first Oscar this year. “We just [have] Martin Scorsese.” But now, NYU, where Lee serves as artistic director of the Graduate Film Program, will soon open the doors on facilities that indeed rival USC’s; a performance center is being included at the 181 Mercer St. building (projected to be complete in 2021) that will be the largest structure on NYU’s campus.TUITION $55,928 (undergrad); $60,766 (graduate)ALUMNI Alec Baldwin, Elizabeth Olsen, Miles Teller, Dee Rees, Rachel Bloom
3. 3 25 UCLATerri Schwartz’s term as dean is coming to an end, and UCLA hasn’t yet announced if her contract’s being renewed. But a recent $20 million donation from the Mitchell trusts (the same fund that gave $20 million to USC) counts in her favor. Half the money will go to scholarships, the other half to fund the UCLA Film & Television Archive, the largest university-based media library in the world. And the school continues to churn out class after class of top-notch screenwriters, most recently Pose creator Steven Canals (’15) and Gaia Violo (’15), whose student project Absentia became an Amazon series. Add up the worldwide box office grosses for films that UCLA grads had a hand in making during the past year — A Star Is Born, The Lego Movie 2 and Spider-Man: Into the SpiderVerse, to name a few — and you’re talking nearly $6 billion. But beyond all that, Love & Basketball director Gina Prince-Bythewood (class of ’91) offers another reason for attending: “I was never afraid to try. It was an incredibly safe space to fail.”TUITION $16,246 (undergrad, in-state); $46,000 (undergrad, out-of-state); $29,520 (graduate, in-state); $41,765 (graduate out-of-state)ALUMNI Ava DuVernay, Alex Gibney, Marielle Heller, David Koepp, Frank Marshall
4. 4 25 AFIThis time last year, the American Film Institute was introducing a new dean, producer Richard Gladstein, after a faculty revolt pushed filmmaker Jan Schuette from the job. This year, AFI is at it again, introducing another new dean, Susan Ruskin, formerly of University of North Carolina School of Arts’ film department (see No. 11). Despite these leadership shifts, the institution offers a first-rate program, with a stellar faculty (this year, Black List founder Franklin Leonard joined the ranks, teaching a new class on the history and future of the Hollywood franchise) and a pragmatic, hands-on approach to learning filmmaking. “It was perfect for me,” says Ari Aster (class of 2010), director of Midsommar and Hereditary. “AFI prizes practice over theory.” The school could do better with minority scholarships, but it has made strides in recruiting female leaders (Kathleen Kennedy just joined the board as chair) and in gender diversity: Next year’s graduating class will be 55 percent female.TUITION $61,425 to $63,575ALUMNI Patty Jenkins, David Lynch, Ed Zwick, Sam Esmail, Mimi LederAFI/Reid ChavisMidsommar director Ari Aster (right) and producer Alejandro De Leon (AFI class of 2010).
5. 5 25 Columbia UniversityColumbia’s MFA program — it doesn’t offer an undergrad degree — has always focused on three things: story, story and story. But recently, the uptown Ivy League institution has been putting more emphasis on the production side of filmmaking, adding new cameras and lenses to its sprawling two-year-old production center north of the university. Says screenwriter and faculty member Hilary Brougher, “We’re really proud that we produce people who will make blockbusters and people who will make films that win at film festivals.” Those in the former category include Simon Kinberg, while in the latter there’s Rob Richert (’13), whose Sundance film The Last Black Man in San Francisco opened June 7 and has grossed a stellar $4 million-plus to date. Brougher herself got in on the act, with her film, South Mountain, showing at SXSW.TUITION $62,912 (graduate)ALUMNI Kathryn Bigelow, James Mangold, Jennifer Lee, Moira Demos, Kahane Cooperman
6. 6 25 Wesleyan UniversityLooks like Jeanine Basinger — the renowned scholar who started the film program in the 1960s and who has been rumored to be on the verge of retirement for years — will be sticking around long enough to see the opening of The Basinger Center for Film Studies. The newly renamed and renovated space is getting an additional 16,000 square feet, including a new soundstage and cinema. But it turns out Basinger, 83, isn’t the only beloved longtime professor at the school. Says Warner Bros. film chief Toby Emmerich (’85): “Richard Slotkin’s ‘Western Movies: Myth, Ideology and Genre’ was pound for pound the best class I ever took. I obviously can’t speak for Michael Bay [’86] or Joss Whedon [’87], but when I watch their stuff, I feel like I see a lot of Slotkin learning in there.”TUITION $72,758 to $74,908 (undergrad)ALUMNI Akiva Goldsman, D.B. Weiss, Lin-Manuel Miranda, Jon Turteltaub, Jenno Topping

Best Film Schools in 2021: The Top 9 Best Film Schools In The World

Should you go to film school? And, if so, what are the best film schools in the world?

We’ve asked the question here on Filmmaking Lifestyle in the past. The answer, in my opinion, is that going to film school is far from a necessity.

American Film Institute (Los Angeles)

AFI Conservatory is a five-term Master of Fine Arts program in six disciplines: Cinematography, Directing, Editing, Producing, Production Design, and Screenwriting.

Traditionally, the Conservatory accepts 28 students – called Fellows – per year for most disciplines and 14 for the Design and Editing disciplines. Each discipline’s program runs two years in length.

First Year – Fellows from all disciplines work on at least three digital video or high definition short films (up to 20 minutes), referred to as ‘cycle projects’.

Each of these first-year projects is accomplished by Fellows with a minimum of oversight from the senior faculty.

The purported goal is to stimulate a flexible and creative approach to filmmaking within imposed budgetary constraints and without the crutch of seasoned oversight.

These ‘cycle projects’ make up the core curriculum of the first-year experience and amount to a ‘boot camp” of filmmaking that simultaneously challenges and invigorates the Fellows involved.

Second Year – Most Fellows work on at least one thesis short film, shot on digital video, high definition, 35mm film, or 16mm film, and develop portfolio materials (such as a reel and a feature film screenplay).

Screenwriting Fellows have the option of writing two feature-length screenplays instead of participating in a thesis film.

They are responsible for raising the bulk of their own financing for these projects (average budget is $30,000), and must adhere to standard industry regulations, such as SAG charter rules, during filming.

The senior faculty of the conservatory oversee the development of the ‘second-year’ projects and monitor their development in a manner similar to what might be expected of an Executive Producer.

Tuition Fees: US$47,030 (The AFI Conservatory Program, 1st-year students); $58,216 (2nd year students)

Notable Alumni: David Lynch, John Cassavetes, Darren Aronofsky.

UCLA’s School of Theater, Film and Television (Los Angeles)

The UCLA School of Theater, Film and Television (UCLA TFT), is one of the 11 schools within the University of California, Los Angeles (UCLA). It is located in Los Angeles, California.

Its creation was groundbreaking in that it was the first time a leading university had combined all three (theater, film, and television) of these aspects into a single administration.

The graduate programs are usually ranked within the top 3 nationally, according to the U.S. News & World Report.

Among the school’s resources are the Geffen Playhouse and the UCLA Film & Television Archive, the largest university-based archive of its kind in the world, celebrating its 50th anniversary in 2015.

The Archive constitutes one of the largest collections of media materials in the United States — second only to the Library of Congress in Washington, D.C. Its vaults hold more than 220,000 motion picture and television titles and 27 million feet of newsreel footage.

The School’s total enrollment, in 2014, consisted of 631 students. For Fall 2014 the School received 4,442 applications and offered admission to 346 applicants (7.8%).

With 140 faculty members teaching 335 undergrads and 296 graduate students, the teacher-to-student ratio is about 1:5.

Tuition Fees: B.A.: $12,842 (California resident), $35,720 (non-resident); MFA: $22,208 (California resident), $34,453 (non-resident); M.A. or Ph.D.: $13,549 (California resident), $28,651 (non-resident)

Notable Alumni: Francis Ford Coppola, Tim Robbins, Gore Verbinski.

USC School of Cinematic Arts (Los Angeles)

The USC School of Cinematic Arts is a private film school within the University of Southern California in Los Angeles, in the U.S. state of California.

The school offers multiple undergraduate and graduate programs covering production, screenwriting, critical studies, animation, and digital arts, and interactive media & games.

Additional advanced programs include the Media Arts and Practice PhD Program, the Peter Stark Producing Program, and the Business of Entertainment (offered in conjunction with the USC Marshall School of Business MBA Program).

It is the oldest and largest such school in the United States, established in 1929 as a joint venture with the Academy of Motion Picture Arts and Sciences, and has been ranked as one of the best film programs in the world on several occasions.

Tuition Fees: US$48,347 (undergraduate level); US$34,079-49,601 (graduate level). Additional fees for equipment may also apply.

Notable Alumni: George Lucas, Ron Howard, Jon Landau.

How To Get Into Film School

• Explore the different film schools and how they are ranked.

• Learn about the admissions process including tips for submission, transcript requirements, etc.

• Get in contact with alumni and admissions directors of schools.

• Learn what your competition is doing.

• Score high on your entrance exams and ace the interviews!

NYU Film School (New York)

The New York University Tisch School of the Arts (known more commonly as Tisch or TSOA) is a center of study in the performing and media arts.

Founded on August 17, 1965, Tisch is a training ground for artists, scholars of the arts, filmmakers, and creative entrepreneurs.

The school merges the technical training of a professional school with the academic resources of a major research university to immerse students in their intended artistic disciplines. It is located at 721 Broadway in Manhattan, New York City.

Tisch School of the Arts was founded in order to provide conservatory training in theatre and film, in the context of a research university.

The school created additional departments such as dance, theatre design, and cinema studies within a few years.

Following the creation of the undergraduate Department of Drama in 1974, the school expanded into other artistic forms, including the Interactive Telecommunications Program, Department of Dramatic Writing, Department of Performance Studies, Graduate Musical Theatre Writing Program, Department of Photography and Imaging, and The Department of Art and Public Policy.

In 1985, the school’s first dean, David Oppenheim solicited a donation from Laurence A. and Preston Robert Tisch that made possible the acquisition and renovation of 721 Broadway, where most of the school’s programs are housed.

In recognition of the generosity of the Tisch family, the school was renamed Tisch School of the Arts.

Tuition Fees: US$25,093 (all students). Students should also expect to pay an additional US$1,212 for registration per term, US$1,570 per additional unit and between US$2,000-15,000 per year for equipment and insurance.

Notable Alumni: Martin Scorsese, Spike Lee, Oliver Stone.

National Film & Television School (London)

The National Film and Television School (NFTS) is a film school established in 1971 and based at Beaconsfield Studios in Beaconsfield, Buckinghamshire. It was at number 1 in the 2014 Hollywood Reporter top 15 International film schools.

Its community of students makes around a hundred films a year on courses that are over 90% practical and unlike courses offered at other UK film schools.

As of 2013 it had around 220 full-time students, with a further two dozen part-timers on the Script Development course and about a thousand a year on its short courses.

Beaconsfield Studios comprises film and television stages, animation and production design studios, edit suites, sound post-production facilities, a music recording studio and a dubbing theatre, all furnished with current digital equipment comparable to that used in the film and television industry.

It is the only film school in the UK with its own film and television studios.

The BBC stated that the NFTS was the “leading center of excellence for education in film and television program making”, and noted that it was “relevant to the industry’s present and future needs.”

British Film Magazine once described the NFTS as being one of the few schools to come “very, very close” to guaranteeing a job in the film industry, and named its leader (Powell) a “maverick”; Filmmaking.net named it one of two films schools outside the US which had such a high international reputation.

In 2013 the National Film and Television School became the first film school in history to win all three of CILECT’s (the main international film and TV school association that includes 160 schools from 60 countries) competition categories (the winners were “Head Over Heels” in Animation, “After” in Documentary, and “The Mass of Men” in Fiction).

Tuition Fees: US$17,800 per year (MA programs, domestic students); US$37,700 per year (MA programs, international students)

Notable Alumni: Nick Park, Lynne Ramsey, Roger Deakins.

La Fémis (Paris)

La Fémis (École Nationale Supérieure des Métiers de l’Image et du Son), is the French state film school.

It is part of PSL Research University, a Paris area-based world-class federal research university formed from highly selective art-, science- and humanities-focused higher education institutions among the most prominent in France.

FEMIS is an acronym for Fondation Européenne pour les Métiers de l’Image et du Son.

Based in Paris, it offers courses balanced between artistic research, professional development and technical training.

In 2012, The Hollywood Reporter rated La fémis no.6 in its best international film school rankings (it included U.S.-based film schools) and no.3 in its 2014 best international film school rankings (it excluded U.S.-based film schools).

Its alumni have won three of the world’s most prestigious film prizes – Cannes Film Festival’s Golden Palm, Venice Film Festival’s Golden Lion and Berlin International Film Festival’s Golden Bear – ten times, making it the most rewarded film school in the world, preceding the Beijing Film Academy and the Tisch School of the Arts of New York, in winning those three prizes.

Tuition Fees: US$517 (domestic students); US$15,334 (international students)

Notable Alumni: Francois Ozon, Noemie Lvovsky, Celine Sciamma.

Academy of Performing Arts’ Film and TV School (Prague)

The Film and TV School of the Academy of Performing Arts in Prague or FAMU is one of the oldest film schools in the world. Located in Prague, Czech Republic, FAMU was founded in 1946 as one of three branches of the Academy of Performing Arts in Prague.

The teaching language at most of the programs at FAMU is Czech, but FAMU offers also programs in English: summer workshops, one-year Academy Program, Special Productions – or MFA program Cinema in Digital Media. According to The Hollywood Reporter weekly, FAMU is the best film school in Europe and No. 11 in the world.

FAMU’s main building is situated in an attractive location in the historic center of Prague.

The school includes Studio FAMU, a production and postproduction facility with fully equipped sound stages and TV studios and continuously innovated technology for realizing student works.

Each autumn, FAMU organizes the Famufest festival, a showcase of its students’ current work as well as an accompanying cultural program and visits by prominent figures in filmmaking.

In the 1960s and 1970s, several young directors from Yugoslavia were FAMU students (Rajko Grlić, Srđan Karanović, Emir Kusturica, Goran Marković, Goran Paskaljević and Lordan Zafranović).

All of these directors would become very successful in the following decades, prompting the coinage of the term Praška filmska škola (“Prague film school”), or Praški talas (“Prague wave”), which is sometimes considered a prominent subgenre of the Yugoslav cinema.

Tuition Fees: Free for Czech students and Czech speakers; US$45,674 (international students)

Notable Alumni: Milos Forman, Emir Kusturica, Agnieszka Holland.

Beijing Film Academy (Beijing)

Beijing Film Academy (abbreviated BFA) is a coeducational state-run higher education institution in Beijing, China.

The film school is the largest institution specializing in tertiary education for film and television production in Asia.

The academy has earned international recognition for its achievements in film production.

Established in May 1950, the Beijing Film Academy was first named Performance Art Institution of the Film Bureau of the Ministry of Culture. During its first year, 38 students enrolled.

For the next five years, the school was renamed thrice – Film School of the Film Bureau of the Ministry of Culture in July 1951, Beijing Film School in March 1953 and finally, Beijing Film Academy on June 1, 1956.

Upon its first establishment, the academy contained 2 schools – the School of Photography and the Animation School with the associated departments and their subsequent specialties.

The Screenwriting Department was one of the earliest departments to be established at the academy in 1951.

Gradually, the academy expanded its number of schools and departments. On September 14, 1950, BFA offered its first undergraduate course in performing arts.

The course attracted a class of 30 students, many of which were notable figures in film and television. Due to its success, BFA established the Performance Institute in June 1956.

In 1952, BFA offered its first programs in sound recording. The Department of Sound Recording was officially founded in 1959.

The Department of Sound Recording continued to grow throughout the years. In 1960, BFA’s Department of Sound Recording and the School of Engineering were joined together.

BFA began offering a two-year course in film and television production management in September 1955. Although the first class only graduated 28 students, the popularity of the course grew, and the Department of Management was formally established in 1987.

In 1966, the Cultural Revolution brought hardships for schools throughout the People’s Republic of China. BFA was equally affected; many of its professors left the academy.

However, at the beginning of 1976, after the end of the Cultural Revolution, many faculty members returned to BFA. By 1977, the academy had recovered from the Cultural Revolution. Finally, in 1978, the academy allowed new students to apply.

Tuition Fees: US$12,900 per year (English MFA, international students)

Notable Alumni: Zhang Yimou, Chen Kaige, Tian Zhuangzhuang.

London Film School (London)

The London Film School (LFS) is a not-for-profit film school in London and is situated in a converted brewery in Covent Garden, London, close to a hub of the UK film industry based in Soho.

The LFS was founded in 1956 by Gilmore Roberts as the London School of Film Technique in Brixton and later moved to Charlotte Street, becoming The London Film School under Principal Bob Dunbar.

From 1971 to 2000 it was known as The London International Film School, and reverted to the name London Film School in 2001.

It offers MA degrees in Filmmaking, Screenwriting and, in partnership with the University of Exeter, a unique MA in International Film Business and a PhD in Film by Practice, recruiting from all over the world.

It also offers an expanding range of short and part-time professional development courses under the LFS Workshops banner.

LFS is the only graduate-only film conservatoire specifically constituted as an international community; around 75% of its students are from outside the UK. The LFS is one of three UK Creative Skillset “Film Academy” Centres of Excellence.

The school’s current director is Jane Roscoe and its current chairman is Oscar-nominated Mike Leigh O.B.E.

Tuition Fees: US$78,043 (in total, for all students on the two-year program)

Notable Alumni: Mike Leigh, Duncan Jones, Danny Huston.