collageThe University of Maryland School of Music, as well as the University of Maryland Graduate School of Music, have a strong reputation for excellence.
This article provides information about university Of maryland school of music acceptance rate, university of maryland school of music ranking, university of maryland school of music audition requirements, school of music auditions and many more, go through the details below line by line to gain more knowledge on university of Maryland music department.
University of Maryland, College Park / Program in Music is located in College Park, MD, in a suburban setting.
Degrees & Awards
Degrees Offered
| Degree | Concentration | Sub-concentration |
|---|---|---|
| Doctor of Philosophy (PhD) | ||
| Doctor of Education (Ed D) | ||
| Master of Music (MM) | ||
| Master of Arts (MA) | ||
| Master of Education (M Ed) | ||
| Doctor of Musical Arts (DMA) |
Degrees Awarded
| Degree | Number Awarded |
|---|---|
| Master’s Degrees | 41 |
| Doctoral Degrees | 20 |
Acceptance Rate- 30%
621Applied184Accepted86Enrolled
Applying
75Application Fee – Domestic
Application Deadlines
| Type | Domestic | International | Priority date |
|---|---|---|---|
| Fall deadline | December 1st | December 1st | No |
Entrance Requirements
| Exam | Details | |
|---|---|---|
| Master’s Degree Exam | GRE General Test (for ethnomusicology, historical musicology and music theory) |  |
| Master’s Degree Requirements | 3 letters of recommendation, audition/interview |
International Students
| Exam | Details | |
|---|---|---|
| TOEFL: Required |
Tuition & Fees
Financial Support
| Types of financial support available | Fellowships |
|---|
Student Body
210Total Graduate Students9%International Breakout (representing other countries)
Race/Ethnicity
| Hispanic/Latino | 3.81% |
|---|---|
| Black or African American | 6.19% |
| White or Caucasian | 63% |
| American Indian or Alaska Native | 0% |
| Asian | 8.1% |
| Native Hawaiian or Pacific Islander | 0% |
| Two or more races | 2.38% |
| Unknown | 6.67% |
university of maryland school of music ranking
Read on university of maryland school of music ranking to learn more. Music is one of the majors in the visual & performing arts program at University of Maryland – Baltimore County.
The bachelor’s program at UMBC was ranked #138 on College Factual’s Best Schools for music list. It is also ranked #4 in Maryland.
Popularity of Music at UMBC
During the 2019-2020 academic year, University of Maryland – Baltimore County handed out 27 bachelor’s degrees in music. Due to this, the school was ranked #234 in popularity out of all colleges and universities that offer this degree. This is
university of maryland acceptance rate
Continue to read this article to know more about university of maryland acceptance rate. University of Maryland—College Park is a public institution that was founded in 1856. It has a total undergraduate enrollment of 30,875 (fall 2020), its setting is suburban, and the campus size is 1,335 acres. It utilizes a semester-based academic calendar. University of Maryland—College Park’s ranking in the 2022 edition of Best Colleges is National Universities, #59. Its in-state tuition and fees are $10,954; out-of-state tuition and fees are $38,636.
University of Maryland–College Park admissions is most selective with an acceptance rate of 49% and an early acceptance rate of 59.3%. Half the applicants admitted to University of Maryland have an SAT score between 1270 and 1480 or an ACT score of 29 and 34. However, one quarter of admitted applicants achieved scores above these ranges and one quarter scored below these ranges. The application deadline is Jan. 20 and the application fee at University of Maryland–College Park is $75.
SAT/ACT scores must be received by
Priority application deadline
university of maryland school of music audition requirements
The content below gives a detailed explanation university of maryland school of music audition requirements, keep reading to know more.of All applicants interested in majoring in music must perform a departmental audition.
Video Pre-Screen
Auditions for the Department of Music are by invitation based upon the submission of pre-screen materials uploaded onto Acceptd, the web-based music application service. Follow directions to upload your pre-screen materials here:
On-Campus Auditions
Auditions on campus last 10-15 minutes and are conducted privately with a panel of music faculty. You may re-perform your pre-screen audition pieces at your on-campus audition or replace one or both with other works at your discretion. On-campus audition results will be mailed within 14 days of your visit.
Applicants interested in early acceptance to UMBC should audition in November. Applicants interested in auditioning for the Linehan Artist Scholars program, or other talent-based scholarships, are required to audition in November or February.Saturday, November 6, 2021 (Linehan and Departmental Scholarship and Regular Audition)Pre-screen deadline: October 8, 2021Friday, January 28 and Saturday, January 29, 2022 (Linehan and Departmental Scholarship and Regular Audition, Snow Date: February 11 & 12)Pre-screen deadline: January 7, 2022Saturday, April 9, 2022 (Departmental Scholarship and Regular Audition)Pre-screen deadline: March 11, 2022Thursday, June 2, 2022 (Transfer Students ONLY)Pre-screen deadline: May 6, 2022
Audition requirements
Voice, Piano, Strings, Woodwind/Brass/Percussion,
Jazz, Composition, Music Technology
- Two memorized classical art songs or arias in contrasting styles. We recommend that one piece be in English and one be in a foreign language to be considered for a scholarship.
- The faculty will be listening for clarity of tone and diction, flexibility in the voice, and interpretive/dramatic elements as they apply to your selections.
- Please send copies of the music for the songs you’ll perform at your live audition must be uploaded to Acceptd when submitting your pre-screening materials.
- Sightreading will be included in the audition
- 2 memorized pieces in contrasting styles (examples include, but are not limited to, a Bach Two or Three-part Invention or Prelude and Fugue, a first movement of a Classical period Sonata, a Chopin Nocturne or equivalent Romantic or 20th Century work).
- All major and minor scales and arpeggios, 2 octaves.
- Sight reading will be included in the audition
Violin, Viola, Cello, Bass, Classical Guitar, Harp
- Two pieces/movements in contrasting styles (i.e. two contrasting movements from a concerto; a movement of a concerto and a movement of Bach’s unaccompanied works; a show piece and a slow work; a movement of a concerto and a movement of a sonata; two contrasting movements from a sonata)
- An etude
- Three octave scales and arpeggios (up to three sharps and three flats, slurred or staccato). Scales: 4, 8, 12, or 24 notes per bow. Arpeggios: 3 or 9 notes per bow.
- Sightreading will be included in the audition.
- For scholarship consideration: at least one movement from a concerto by such composers as Bruch, Wieniawski, Saint-Saens, Sibelius, Tchaikovsky, and a movement of an unaccompanied Bach sonata or partita.
- Two movements in contrasting styles. An example is a movement of a concerto by Stamitz or Hoffmeister, and a piece such as the Bloch Suite Hebrique or Hindemith Trauermusik. One should be played from memory.
- An etude, such as one by Kreutzer, Mazas, Campagnoli, etc.
- Sight reading will be included in the audition
- For scholarship consideration, both movements should be memorized.
- Two pieces/movements in contrasting styles (i.e. two contrasting movements from a concerto; a movement of a concerto and a movement of Bach’s unaccompanied works; a show piece and a slow work; a movement of a concerto and a movement of a sonata; two contrasting movements from a sonata)
- An etude
- Three octave scales and arpeggios (up to three sharps and three flats, slurred or staccato). Scales: 4, 8, or 12 notes per bow. Arpeggios: 3, 6 or 9 notes per bow.
- Sightreading will be included in the audition.
- For scholarship consideration: at least one movement from a concerto and a movement of an unaccompanied Bach sonata.
- Two contrasting movements of a concerto or sonata OR one movement of a concerto or sonata and a contrasting work.
- An etude – Simandl, Bille, Sturm or Storch-Hrabe
- One orchestral excerpt of applicant’s choice
- Two scales: one major and one melodic minor; applicant’s choice; 3 octaves
- sight reading will be included in the audition
- Two pieces/movements in contrasting styles: Renaissance Lute work or a movement of Bach from either a solo cello suite, lute suite, or violin sonata/partita; and a piece or movement from either the 18th century repertoire (Sor, Guilliani, etc.), 19th century repertoire (Tarrega, Mertz, etc.) or the 20th century repretoire (Brouwer, Villa-lobos, Rodrigo, etc.)
- scales in all 12 keys, major and minor, 1-2 octaves
- sight reading will be included in the audition
- Two contrasting solo works or movements from standard solo repertory representing different historical periods and demonstrating an understanding of different musical styles. For performance emphasis, both works should be memorized.
- sight reading will be included in the audition
Woodwind/Brass/Percussion
Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Euphonium, Tuba, Percussion
- Two pieces from the solo literature (two movements of the same sonata is preferable, but not required): One piece demonstrating slow, lyrical playing and one piece demonstrating technical agility. Appropriate repertoire can include: Mozart or other substantial concerto; Bach sonatas; repertoire from the “Flute Music by French Composers” collection. Scholarship applicants must have a movement of a concerto
- A third piece which can be either a movement from a concerto or an etude.
- All major scales in two octaves, three octaves where appropriate
- Sight reading will be included in the audition
- Two contrasting movements of a major oboe concerto
- Two contrasting etudes
- Major scales up to three sharps and three flats
- Sight reading will be included in the audition
- Two contrasting solo works. Examples of appropriate repertoire include: C. M. Weber: Concertino for clarinet op. 26, Concerto no. 1 in f-minor, Mozart: Clarinet Concerto K. 622, Finzi: Five Bagtelles, Osborne: Rhapsody; Stravinsky: Three Pieces
- An etude. Examples of appropriate selections would be from the Rose 32 or 40 etudes.
- All major scales in two octaves, three octaves where appropriate (ex. F, G, E, F#, Gb) demonstrating technical agility.
- Sight reading will be included in the audition
Back to Top of the PageSaxophone
- Two contrasting pieces from either the standard repertoire or etudes. Examples include: Paul Creston: Sonata for Alto Saxophone, Eugène Bozza: Improvisation et Caprice, W. Ferling: 48 Famous Studies for Oboe or Saxophone, Voxman: Selected Studies.
- All major scales and full range chromatic scale
- Sight reading will be included in the audition
- Two contrasting works or movements from works that demonstrate your ability technically and musically.
- An additional piece of material that exemplifies your musicianship and versatility (i.e. an orchestral excerpt, an etude, etc.)
- Major and chromatic scales
- Sight reading will be included in the audition
- Two contrasting selections of your choice; suggested, though not required, repertoire includes: Mozart Concertos 1-4; Franz Strauss: Nocturno, Op. 7; Franz Strauss: Concerto, Op. 8; Richard Strauss: Concerto No. 1 in E Major, Op. 11 or comparable solo. It is recommended, but not required, to choose as one of the two works one etude from one of the following books: Kopprasch, 60 Selected Studies for French Horn; Maxime-Alphonse, Two Hundred New Melodic and Gradual Studies, Gallay, 12 Etudes for Second French Horn, Op 57 or comparable etude.
- Scales up to 4 sharps and 4 flats, two octaves when possible. Two octave Chromatic Scale on a starting not of your choice.
- Sight reading will be included in the audition.
- Two contrasting selections of your choice; suggested repertoire includes: Balay: Andante and Allegretto; Hindemith: Sonata for Trumpet and Piano, first movement; Kennen: Sonata for Trumpet and Piano, first movement; Haydn: Concerto in E-Flat for Trumpet, first movement; Hummel: Concerto in E-Flat, first movement.
- Scales up to 4 sharps and 4 flats, 2 octaves when possible; 2 octave chromatic scale on a starting note of your choice—from low F# to high C if possible
- Sight reading will be included in the audition
- Two pieces or movements in contrasting styles demonstrating the candidate’s musicality and abilities on the instrument.
- Scales up to 4 sharps and 4 flats, two octaves when possible. Two octave Chromatic Scale on a starting note of your choice.
- Sight reading will be included in the audition.
- Two pieces or movements in contrasting styles demonstrating the candidate’s musicality and abilities on the instrument One piece demonstrating slow, lyrical playing and one piece demonstrating technical agility. It is encouraged, but not required, to prepare as one of the selections a lyrical etude from Rochut, Melodius Etudes for Trombone Vol. 1
- Scales up to 4 sharps and 4 flats, two octaves when possible. Two octave Chromatic Scale on a starting note of your choice.
- Sight reading will be included in the audition.
- Two pieces or movements in contrasting styles demonstrating the candidate’s musicality and abilities on the instrument One piece demonstrating slow, lyrical playing and one piece demonstrating technical agility. It is encouraged, but not required, to prepare as one of the selections a lyrical etude from Bordigni’s Bel Canto Studies or Rochut, Melodius Etudes for Trombone Vol. 1.
- Scales up to 4 sharps and 4 flats, two octaves when possible. Two octave Chromatic Scale on a starting note of your choice.
- Sight reading will be included in the audition.
Percussion
- snare drum – rudiments and a prepared solo
- mallets (marimba, xylophone, etc.) – two-octave major scales, a prepared two-mallet solo, a prepared four-mallet solo if possible
- timpani – a prepared solo
- drumset – optional
You may be given some sight-reading on snare drum and mallets. If you play drumset, we’d like to hear that as well; however, do not prepare a drumset solo.
Jazz Instrumentalists
- Two prepared pieces: 1) A mid-tempo jazz standard (Students applying for Jazz Performance must include improvisation). 2) A piece demonstrating instrumental facility. Examples include an up-tempo jazz composition, a classical etude or repertoire, a jazz transcription, or a solo arrangement.
- 12 major scales and chromatic scale.
- Basic seventh chord arpeggios (root position) in all keys. Piano, guitar, and mallet percussion also need to demonstrate voicings.
- Sightreading will be included in the audition
- Jazz Mallet Percussion – All major scales, two octaves; Chromatic scale, two octaves; sightreading
- Jazz Drumset – 26 Percussive Arts Society International drum rudiments. Demonstrate a variety of grooves and tempi; prepare a solo piece for jazz drumset (example: jazz etude or transcription); Soloing: trading fours with yourself (alternate 4 bars soloing/improvising–and 4 bars playing time) at medium swing tempo, metronome marking quarter note = 120-160; Sightreading, chosen from a standard big band chart.
Composition
In addition to the above instrumental or vocal audition requirements
- Improvisation is optional
- 2-3 original scores (in PDF format) and recordings of those pieces if available;
- One video or audio file of you performing an audition piece on your instrument/voice (Specific audition requirements for each instrument or voice type are above)
- An artistic resume outlining your musical training and performance/composition experience.
Music Technology
In addition to the above instrumental or vocal audition requirements
- Improvisation is optional.
- Provide portfolio audition materials through Accept’d, that include the following:
- 1) at least three examples of audio recordings you have engineered.
- 2) a text file explaining your role in the recording and how you made it.
- 3) an artistic resume outlining your musical training and experience.
an increase of 8% over the previous year when 25 degrees were handed out.
school of music auditions
Most applicants will need to complete an audition, portfolio, or interview to demonstrate artistic potential to be successful at the School of Music. Please follow the instructions on this page for your specific program/instrument.
Applicants whose programs require them to schedule an audition or submit media will do so through our Online Portal, Acceptd.
Undergraduate
All undergraduate Bachelor of Music applicants must perform an audition or submit a portfolio according to the requirements listed below by instrument/program.
Bachelor of Arts in Music applicants do not need to complete an audition or portfolio.
Graduate
Graduate applicants to performance-based programs must perform an audition according to the repertoire requirements listed below by instrument/program.
Graduate Composition applicants must submit a prescreening portfolio, and if invited, schedule an interview with our composition faculty.
Graduate Ethnomusicology, Music Education, Musicology, and Theory applicants do not need to audition. Graduate Music Education students can audition in September if they want private lessons on a primary instrument during their program.
Prescreening
Applicants to the following programs and instruments need to submit a prescreening video recording or portfolio for review before they can be invited to a live audition or interview.
- Applicants to cello, double bass, flute, percussion, piano, trombone, trumpet, violin, or voice regardless of degree or program*
- All Collaborative Piano majors regardless of degree
- All Graduate Composition majors
- All applicants to the Doctor of Musical Arts in Performance
- All applicants to the Artist Diploma
- All applicants to the Opera Institute
Prescreening recordings and portfolios are due by December 1. Applicants will be notified of prescreening results in early January.
*Prescreening is only required if you would like to attend a live audition day. If you are submitting a final video audition, you do not need to submit a prescreening.
WAIVERS
Prescreening waivers are available to BUTI alumni applying for BM, and current BU students applying for MM, PD, or DMA. To request a waiver please email visitSOM@bu.edu
EARLY DECISION, TRUSTEE, AND TRANSFER APPLICANTS
Early Decision (ED1) and Spring Transfer applicants to prescreened programs are not required to submit a prescreening recording, but must schedule an audition on our November audition date or submit a final recorded audition.
Early Decision (ED2) and Trustee applicants should follow the same audition deadlines as regular decision applicants, but must audition on January 21 or January 28, 2022.
Fall Transfer applicants are highly encouraged to apply in January for merit scholarship consideration.
Final Recorded Auditions
We highly encourage all of our applicants to audition or interview in Boston whenever possible. However, most applicants* may submit a final video audition in lieu of a live audition.
*Applicants to the Doctor of Musical Arts, Artist Diploma, Collaborative Piano (all degree levels), and Opera Institute are required to submit a prescreening recording, and if invited, attend a live audition. A live audition for these programs is required.
Deadline Reminders:
- Pre-screening Recorded Media Submissions: December 1
- Graduate Application: December 1
- Undergraduate Common Application:
• November 1 (Early Decision, Spring Transfer)
• December 1 (Trustee Scholarship and Presidential Scholarship)
• January 4 (Regular Decision) - Submit Final Recorded Audition Media:
• November 1 (Early Decision 1 and Spring Transfer)
• January 21 (Early Decision 2 and Trustee)
• February 1 (Undergraduate Regular Decision and Graduate) - Schedule your Audition:
• November 1 (Early Decision and Spring Transfer)
• January 7 (All programs)
university of maryland music school flute grade audition
Auditions are required for all instrumental and vocal areas of performance, undergraduate music education and undergraduate composition majors. There is no longer a pre-screening requirement for any of our undergraduate programs. Auditions are performed live or by video recording.
Graduate level conducting, collaborative piano, solo piano, flute, opera, solo voice and vocal pedagogy applicants must submit pre-screening and may be invited to campus for a live audition in the spring semester.
Admission to other programs is determined by application only.
Live and Recorded Auditions
Live auditions are strongly encouraged for all applicants. To submit a recorded audition, please indicate your choice on your School of Music application and upload your audition video by the required deadline. All recorded auditions will be given full consideration for admission and funding.
It is strongly recommended that all applicants create a video recording of their audition repertoire in advance of their scheduled audition date. In the event of a public health emergency, recorded auditions may be required of applicants in place of previously scheduled live auditions.
Audition Dates for Fall 2022 Admission
Undergraduate – Early Action
All early action auditions will be held on Saturday, December 4, 2021.
Undergraduate – Regular Decision, Transfer and Current UMD Students
Bassoon – February 18 and 19, 2022
Cello – February 19, 2022
Clarinet – February 19 and 21, 2022
Double Bass – February 19, 20 and 21, 2022
Euphonium – February 20 and 21, 2022
Flute – February 17, 18 and 19, 2022
Harp – February 19, 20 and 21, 2022
Horn – February 18 and 19, 2022
Jazz, all instruments – February 18 and 19, 2022
Oboe – February 17, 18 and 19, 2022
Percussion – February 20, 2022
Piano – February 18, 19 and 20, 2022
Saxophone – February 18 and 19, 2022
Trumpet – February 17, 18 and 19, 2022
Trombone – February 19, 2022
Tuba – February 20 and 21, 2022
Viola – February 18 and 19, 2022
Violin – February 17 and 21, 2022
Voice – February 18 and 19, 2022
Graduate
Bassoon – February 18 and 19, 2022
Cello – February 19, 2022
Clarinet – February 19 and 21, 2022
Collaborative Piano – February 18 and 19, 2022
Double Bass – February 19, 20 and 21, 2022
Flute – February 17, 18 and 19, 2022
Euphonium – February 20 and 21, 2022
Harp – February 19, 20 and 21, 2022
Horn – February 18 and 19, 2022
Jazz, all instruments – February 18 and 19, 2022
Oboe – February 17, 18 and 19, 2022
Percussion – February 20, 2022
Piano – February 18, 19 and 20, 2022
Saxophone – February 18 and 19, 2022
Trombone – February 19, 2022
Tuba – February 20 and 21, 2022
Trumpet – February 17, 18 and 19, 2022
Viola – February 18 and 19, 2022
Violin – February 17 and 21, 2022
Voice & Opera – January 20 and February 11 and 12, 2022
Last updated: November 12, 2021
Audition Repertoire and Program-Specific Requirements
Undergraduate
Learn what you need to prepare for your music audition to be considered for admission.UNDERGRADUATE AUDITIONS
Graduate
Learn what you need to prepare for your music audition or program-specific application requirements.GRADUATE AUDITIONS AND REQUIREMENTS
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